After the ball is snapped, I’m following Teddy Bridgewater’s movements through a 400mm lens. From my vantage point, I have the quarterback’s full body in frame, and I can see the field pretty clearly. As he winds up to throw, I can tell it’s going to be a deep throw. I have less than a second to decide if I’ll capture the pass with the 400mm or switch to the 70-200mm, allowing me to capture it in a wider aspect. I choose the first option, so I pop my head up quickly to see which receiver the ball is going toward. I put my eye back to my camera and lock in on DJ Moore. That led to me capturing this catch tight with my 400mm.